X战警97第一季搜索结果

高清影院

短路第一季
美国英语2020
迪士尼动画工作室的实验短片项目“短路”(Short Circuit)首批14部动画短片作品上线Disney+。这14部短片包括:水洼(Puddles):一个小男孩发现,路边的水洼是通往另一个幻想世界的入口,他努力吸引姐姐的注意力,想让她别一直盯着手机,也来看看他发现的神奇世界。交换生(Exchange Student):一位地球人来到外星人的学校里做交换生,她必须证明自己值得被这些新同学接受。幸运的假发(Lucky Toupee):有关一个被小矮人绑架的假发的故事。一个念头(Just A Thought):一个男生对他喜欢的女生的感情,都会真实地通过漫画中气泡的形式显露出来。循环(Cycles):讲述一栋房子里几代人的生活变迁。这本是一个VR短片。瓶中闪电(Lightning In A Bottle):在暴风雨中,一个小男孩用玻璃瓶捕捉了闪电,紧接着发生的事情出乎他的意料。比赛(The Race):一个死神想要在一次自行车比赛中收获一个灵魂,以在他的工作竞赛中获胜,但在终点线处他却发现了生命的更多意义。理发柔道(Hair-Jitsu):小女孩在想象中与邪恶的理发师斗智斗勇,避免自己的长发被第一次剪掉的故事。闹市区(Downtown):一个人没有赶上公交车,失望的他突然发现周围的街道有了色彩和生命。镜花(Jing Hua):一部中国水墨风格的作品,其中的女主人公为了缅怀自己逝去的师父,用神奇的功夫创造了一个水墨世界。雨滴(Drop):刚刚从天上落下的一滴雨与一个小女孩相遇的故事。天顶(Zenith):一只神奇的发光的雄鹿在宇宙中创造出多彩的星系,但也不小心创造出了一个黑洞。它必须做出抉择,阻止黑洞吞噬一切。房间里的大象(Elephant In The Room):父子俩收养了一只迷路的小象,让它协助他们照料种植的香蕉,但小男孩很快意识到,小象想回到它的亲人身边。捡回来(Fetch):小女孩和她的宠物在森林深处玩耍的故事。 

高清影院

卧龙战警
美国英语1992
  Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?  Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.  The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.  Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.  However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

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