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泡泡糖危机 东京2040
日本日语1998
  东京,这个多灾多难的城市,在公元2034年发生了一场大地震,结果彻底破坏了它。为了尽快复苏,基内姆跨国际企业使用了大量人造人:人们称呼它们为“亚人”;各种各样的亚人承担了几乎一切繁重的重建工作,所有对人类危险的工作也由他们来完成!时间,过去了6年,东京:昔日繁华的大都市,再一次在世人眼前矗立起来!到处可听到人们赞叹亚人的伟大和辛劳,亚人的使用也开始广泛。  但是,由于大量重建工作的完成,使得越来越多的亚人被闲置,一些人类也开始抱怨亚人抢夺他们的工作机会;此时,亚人本身的机械故障频繁出现,再加上一些别有用心人的暗中操作,使得城市中亚人犯罪的记录不断上升。为了应付这种局面,东京警察局特设了一个警察部队:AD POLICE,用来监管一切亚人犯罪事件。  不过呢,AD POLICE并未能很好的控制住渐渐混乱的局势;就在此时,一个身穿装甲服的叁人女性集团悄然出现,独自执行消灭亚人犯罪的案件,这也使得当局以及AD POLICE的脸上无光,从而把这叁人女性集团视为犯罪份子。在民间,她们被人称呼为:NIGHT SABERS(午夜骑士)!  一位从乡下来的女孩,带着对NIGHT SABERS的憧憬,成为东京某公司的OL,一次偶然的机遇,使得她初识了NIGHT SABERS的一员,更因此而毛遂自荐。从此,战士飞刀成为了四位女性的座右铭。不过,虽然NIGHT SABERS的目的在大众看来是英雄般的行为,但其核心的成员却仿佛是别有用心......  本作是1987年的OVA《泡泡糖危机》的姐妹作品,可以说相同又不同,总之是部好作品

高清影院

痴心女子负心郎
美国英语1948
  Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.  This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.

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