武动乾坤:九重符塔搜索结果

高清影院

乾隆下江南
香港粤语1977
  大清康熙四十九年十一月十一日,康熙率太子与和硕雍亲王在木兰围场狩猎,雍亲王偶遇李佳氏,后李佳氏在木兰围场生下雍亲王四子弘历。康熙五十九年,康熙在狩猎中遇险,增得少年弘历相救脱险,弘历巧对对联,获得康熙欢心。  弘历继位后改元乾隆,乾隆在位时设立了四库全书馆,编篡了四库全书 。四库全书的总编纪晓岚在书房因天热未着衣工作遇乾隆驾临,只好躲在桌下,但仍被乾隆叫出来,幸好机智妙解“老头子”,乾隆准其不着衣工作。  刘墉晋见乾隆,争得“罗锅”封号,一年可多两万两俸禄,乾隆心有不愿,暗中命人出题刁难,被刘墉一一化解。最后乾隆让刘墉跳冰窟,刘墉领命后站在冰窟旁许久,后晋见乾隆,说是遇见屈原,让问问乾隆是否是逼死大臣的昏君,乾隆无奈只好放过他。  乾隆十六年,乾隆奉皇太后南巡到扬州,为体察民情,乾隆假扮商人撇下侍卫一人微服出访。在扬州最著名喝荤茶的一乐园茶楼,乾隆遇到只卖水的茶楼,在多嘴店小二的指点下,才知道原来扬州喝荤茶的茶楼卖的是各种小吃和酒水,唯独没有茶叶卖。乾隆只得去对面茶庄买茶叶。  在店小二声情并茂、沫横飞花地给乾隆介绍了“人到扬州老,船到瓜洲小”,因为扬州人客气才称他为老太爷,而在广州更是称人都称“佬”,给乾隆上了一堂趣味盎然的民间风情课。乾隆在品尝美食之时,偶尔看到茶楼下有位年青人手捧《春秋》守着菜摊,从店小二那得知年青人叫周日清,其叔是翰林院翰林,但为官清廉,退休后贫病交加,只告周日清每日卖菜糊口。正说着,遇到两官差来要捐钱,周日清交不出来。从店小二的嘴里得知,原来是叶洪昀在扬州假传圣旨设了邻捐局,凡是做生意的都要捐钱。  正说着,楼下的两官差因为收不到钱开始欧打周日清,周日清被逼无奈出手自保,而乾隆因为给周日清加油助威而受到在茶楼喝茶的众多官差的围攻。当两人打败众多官差后要去喝茶时,才发现刚才还人声鼎沸的大声已是成人空巷,众商家和老百姓为求自保户户门窗紧闭。无奈,乾隆只得坐在大街中间休息。这时,叶洪昀带众官差前来要拘捕乾隆,但被乾隆的气势镇住,随后而来接驾的鄂容安证实了乾隆的身份。  店小二因为在之前跟乾隆的谈话中痛骂乾隆,得知刚才的客气即是乾隆时,无奈之下只好上吊自杀,关键时刻被乾隆命人救下。之后周日清加官为乾隆牵马。店小二也被乾隆任命为官员。叶洪昀之流的贪官被惩治。

高清影院

方世玉与乾隆皇国语
香港国语1994
  话说天下合久必分,分久必合,大明君主昏庸,而将大好江山拱手让予满州外族。清自太祖努尔哈赤入关,历经圣祖、康熙、太宗雍正、传至高宗乾隆时,国运昌盛,佰民间却仍有反清组织……乾隆(张兆辉)力主推行“满汉一家”的政策,但却为太后和军机大臣鄂尔泰所阻。干不甘被掣肘,遂以体天下民情为由,与太监小桂子(邓兆尊)潜出宫,化名高天赐、高大贵,驾幸江南……一日二人来到秦淮河畔,随身钱袋连同玉玺为一姑娘童不悔(陈佩珊)所盗,二人紧追不舍,悔巧遇方世玉恶人先告状,导致玉和隆二人不打不相识,始知皆被悔作弄……悔终被二人寻到,也同认识其兄童千斤,三人惺惺相惜,结拜为兄弟,此时苏州恶霸雷老虎至码头闹事,三人合力赶走虎,而结下梁子。原虎为苏州土豪,无恶不作,此时虎留学上海的女儿雷娇与妻李小环(黄恺欣)返乡,娇于码头替苦力拍照被视为妖术,而被推下海,幸遇玉所救。乾隆私自出宫,京中震惊,太后命四出追查,一日二名侍卫追至苏州,正于追截之时一名黑衣女子出手相助,隆对侠女的双美目念念不忘。娇开设洋学堂,玉、隆恉入学求新知,玉再遇娇,二人爱意滋生,同时悔亦对玉暗恋,不惜入学堂当杂工,欲夺回玉。隆于秦淮河兰桂舫重遇美目,其为一歌妓宋剑屏(冯晓文),隆追求屏。原屏与兄宋复明(林伟)为明朝宋王遗孤,实为反清之士。另娇与玉日久生情,但两家不和,再加上提督霍祈英(谭耀文)的追求,故阻碍重重。后英为得到娇,于是摆下擂台,玉得高人指点,上台挑战,不意却将虎击毙,娇伤心之余唯有下嫁英..。屏对隆日渐产生好感并为宋王府接纳,成为组织中一份子,然纸包不住火,一日反清组织遭清军围剿,而隆身份败露,众人误以为被隆出卖,实为被明所出卖。回宫后,隆以真情打动屏嫁入宫中,不料太后怕隆娶满人为妻,用计毒杀屏,隆知悉赶至时,屏毒发死于隆怀中。玉誓言要隆血债血还,入宫行刺,幸桂及时带来玉之父母方德(许绍雄)、苗翠花(陈美琪)解开一场误会。隆欲留玉于宫中命,但为玉所拒,引退江湖。隆虽贵为天子,既救不了心爱的屏,又留不住挚友玉,只有独自长叹。

高清影院

米兰九口径
其它其它1972
  Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.  Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...  "Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.  The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

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